Monday, 13 December 2010
Motion Graphic... Dreamworks
This is a great piece of motion graphics that is universally recognisable, and is usually featured at the beginning of certain films. I can recognise this ident just by the music even if I cannot see the visual, which symbolises a successful piece of design. The way the text is only partially revealed, in a dream-like great.
Wednesday, 10 November 2010
Team Impression
Leeds,
LS11 5UU
www.team-impression.com
I took a variety of images with my Digital SLR at Team Impression, however my memory card corrupted and I have lost them all.
It was really interesting to see the printing presses in full working motion, and seeing examples of the packaging coming out. Especially the Jamie Oliver cutlery packaging, seeing the finished printed version which had been die cut and then seeing a finished, assembled version.
Seeing the women in the handcrafting section was odd for me, as I just expected that there would be some machine that can fold, glue and bind things together, with the fast ever advancing technology in printing, there may be a machine soon.
Our tour guide explained how one of the rooms used to have around 10 people in it, but then pointed to a machine in the corner and said it does the same job as what they used to do.
I found it a very interesting experience, I just wish I had the photos to show that!
Tuesday, 9 November 2010
Print Analysis
Twenty Pound Note:
Some of the images used on other bank notes are engraved by hand on metal plates 'whilst others are created using a Computer Aided Design (CAD) system and are drawn onto film by a laserbeam. When finished, the images are duplicated many times onto printed plates ready for the presses. Specialised inks used to produce the notes are also manufactured on site; approximately 85 are required for the four denominations' .
There are three processes used for bank note printing: Offset Litho, Intaglio, Letterpress.
From examining the note, I believe the letterpress is for the type, as some of the lettering is raised.
Intaglio: this process is used to add the portrait of Her Majesty the Queen and the raised print on the front of the note. The ink rests in grooves engraved in the printing plate. When the plate comes into contact with the paper the ink is forcibly ‘drawn’ from the plate onto the paper under very high pressure. This produces the raised print which is one of the characteristics that gives Bank of England notes their distinctive feel.this process is used to add the portrait of Her Majesty the Queen and the raised print on the front of the note. The ink rests in grooves engraved in the printing plate. When the plate comes into contact with the paper the ink is forcibly ‘drawn’ from the plate onto the paper under very high pressure. This produces the raised print which is one of the characteristics that gives Bank of England notes their distinctive feel.
http://www.bankofengland.co.uk/banknotes/about/production.htm
- Stock:The stock is a special paper that combines linen and cotton with a gsm of about 80 to 90, the combination of linen and cotton is for durability.
' Using copious amounts of water, the cotton is broken down into individual fibres and reformed into reels of paper of the quality required.The watermark design is engraved in wax and, like the metallic thread, the image is incorporated into the paper at the manufacturing stage.
- Format:
British bank notes are all of a standard format. The smallest note is a £5, then the next size up is the £10 note then the £20 and £50.
- Specials:
Raised print, Texture of Paper, Holographic strip, Fluorescent features, Microlettering - all of these features are to make it as difficult as possible to create counterfeit notes.
- Target:
The audience is anyone residing or staying in the UK, maybe even people who collect money.
- Quantity:
Very high production rate, by the millions.
- Competition:
Other currencies?
Tuesday, 2 November 2010
Design Practice... Edge

- Advertising Campaigns
- Annual Reports, Business Plans
- Company Magazines
- Corporate Gifts
- Corporate Identity
- Copywriting
- Direct Mail
- Exhibitions & Events
- Illustration
- Interior and Exterior Signage
- Leaflets, Brochures, Folders
- List Sourcing
- Newsletters, Newspapers
- Mobile SMS and Bluetooth Marketing
- Packaging Design
- Posters, Point-of-Sale
- Photography
- Press & Public Relations
- Prospectuses
- Sales Promotion Material
- Website and CD Rom Production
Edge has always listened carefully to our brief, ensuring that the opinions of service users have a strong focus on the work they have produced. This work was recently commended by HM Government in the Cabinet Office newsletter –Customer Matters. Crucially, Edge has always delivered work to our exact brief, within agreed deadlines and to budget. I believe that wherever possible we should strive to engage and work with local businesses to help drive improvements within our local economy - the work we have embarked on with edge is the envy of many other programmes and has been replicated in many other screening programmes across England."
Paul Watson
Programme Manager COAST/SHOUT
"Edge and its predecessor companies have produced my Annual Public Health Report for the past 10 years to a high standard. We have also used them to develop publicity and social marketing materials for a number of public health programmes. For all of these they have been creative, helpful and collaborative. Their work has always been delivered on time and to budget. Our long use of the company illustrates this."
Dr Tony Hill
Joint Executive Director of Public Health
Thursday, 21 October 2010
Typography with Graham...
Wednesday, 20 October 2010
Feedback from Peers...
Tuesday, 19 October 2010
InDesign Workshop...
Reviewing an InDesign File:

InDesign files can be exported to PDFs:
Getting files to open with Photoshop:
Friday, 15 October 2010
Absolute Vintage...

"The best vintage shop in London" by In style Magazine 2008.
Absolute Vintage has one of the largest vintage shoe and bag collections in the UK. It is renowned for having over 1,000 pairs of shoes in stock, all arranged by colour. There is every style and every shade of colour imagineable, they say 'if you can't find it here, it doesn't exist!'. The blend of variety and low prices make it a shoppaholic's heaven... and making it almost an impossibilty to purchase just one pair.
The design of this makes me think of a World War 2 poster. It almost seems slightly American too with the Union Jack being used as the background, as a lot of the American war posters featured their flag, to show their patriotism.
I have noticed with a lot of the Vintage shop logos, a scripted typeface is normally the style of the text used.
Thursday, 14 October 2010
The Cloth House...

The Cloth House is a fabric emporium in London that sells cloths that come from all over the world. It isn't the shop itself that I am particularly interested in, although the shop front is really nice, and looks like an old fashioned shop, what I am drawn to is the logo, which has a 1920's, vintage feel to it. This is the kind of style I would like my logo to be like, in some kind of frame, to make it look almost like an old photo frame or mirror. The fonts used are great, I probably wouldn't use so many different ones in one design, but it does actually look really good.
Steptoes Dog Vintage Wares
This is a Vintage Shop in Leeds called Steptoes Dog Vintage Wares:
Steptoes Dog Antiques,164 Kirkstall Hill, Leeds,LS4 2SX,UK
The shop sells a range of vintage, retro and unique clothing, accessories for women, with a section for men and children too. Their are a variety of other items that can be bought (e.g. pottery, silverware, books, textiles). As well as a shop in Leeds, the items are available online too, there is a sister online site called Ninetynine gifts.
There is a blog which features posts on the latest items and developments in both ninetynine gifts and Step Toes and also a Facebook page where vintage events are posted up, and new items.

The most important part of this is the logos, visually different, but keeping the same font (Cooper Black Std.) and colour, keeps it uniform and recognisable, which is always useful for a brand, in terms of exposure and brand awareness. However, the two logos are significantly different, the first is the case of the type, ninetynine gifts is all lower case which makes it informal and tied in with the style of the font, which although it was produced in the early 20th century by Oswald Bruce Cooper, it does still have a contemporary feel to it. The roundness of the lettering gives it almost a fun feel and I think it suits the gift shop but not as much the shop itself. Although, the uppercase letters at the start of each word makes it a lot more formal, which in my opinion is a more suitable tone for a vintage shop.
The colours for the decoration in each logo are different, in the first example, there is the botanical design overlayed in a lighter grey which runs from the gap in the two words to the left of the words which gives flow to the text, which is split into two by the words Vintage Wares (in a marroon colour, which has a vintage effect) running through, I am not quite sure if this looks right, and it doesn't make me read the text in the order it should be in. The decoration for the gift shop logo is much more colourful and makes me think of party streamers and fun occasions, which suits a gift shop identity.
Wednesday, 13 October 2010
Seventies Music...
The Top 100 Seventies Singles CD:
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7. | "Just My Imagination (Running Away With Me)" - The Temptations |
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10. | "T.S.O.P. (The Sound Of Philadelphia)"" - MFSB featuring The Three Degrees |
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9. | "You're The One That I Want" - John Travolta & Olivia Newton-John |
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Artists: